ABEL-IAS

ABEL-IAS
fastcompany:

A Year After LinkedIn Came Calling, CardMunch Poised To Make “The Rolodex Obsolete”

All they wanted was some mac and cheese. It was late 2010, and Sid Viswanathan, Bowei Gai, and Sudeep Yenashankaran were outside LinkedIn’s headquarters, peering into the cafeteria. The three CardMunch cofounders had just been escorted outside after a meeting at the company, but the meals inside were too much to resist. ”There were these huge boxes of food,” recalls Viswanathan.
“And we had backpacks,” Gai says.
The team snuck back in, started filling their bags with food—and then bumped into one of the senior directors of engineering at LinkedIn, with whom they had just met. And who had just walked them out of the office building. “I have never been more embarrassed in my whole life,” Viswanathan says today, laughing.

Read On ->

fastcompany:

A Year After LinkedIn Came Calling, CardMunch Poised To Make “The Rolodex Obsolete”

All they wanted was some mac and cheese. It was late 2010, and Sid Viswanathan, Bowei Gai, and Sudeep Yenashankaran were outside LinkedIn’s headquarters, peering into the cafeteria. The three CardMunch cofounders had just been escorted outside after a meeting at the company, but the meals inside were too much to resist. ”There were these huge boxes of food,” recalls Viswanathan.

“And we had backpacks,” Gai says.

The team snuck back in, started filling their bags with food—and then bumped into one of the senior directors of engineering at LinkedIn, with whom they had just met. And who had just walked them out of the office building. “I have never been more embarrassed in my whole life,” Viswanathan says today, laughing.

Read On ->

cavetocanvas:

Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1634
From the National Gallery of Art:

Saint Bartholomew, who was flayed alive, was a subject Ribera treated several times. Here the painter focuses not so much on the physical anguish of the saint as on his mystical experience. The unusual X-shaped composition pulls the viewer into the scene to share the profound emotion that passes in the moment when Bartholomew confronts his executioner with eyes lifted to God. Attention is drawn also to the sharpening of the knife; the position of the blade and whetstone forms a cross — involving us not only in Bartholomew’s martyrdom but also in Christ’s sacrifice and crucifixion.
Ribera’s thick, rich paints communicate a real physical presence. He uses the coarse bristles of his brush to texture the paint and give it tactile dimension. White hairs in the saint’s beard are created by silvery filaments of paint. Around his eye, the pigments wrinkle like old skin.
Before settling in Naples, Ribera had spent some time in Rome studying the works of Caravaggio. Evident in this picture is the influence of Caravaggio’s dramatic lighting, deep shadows, and unremitting realism, but the intensity of Ribera’s religious fervor and his skillful handling of paint are his own.

cavetocanvas:

Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1634

From the National Gallery of Art:

Saint Bartholomew, who was flayed alive, was a subject Ribera treated several times. Here the painter focuses not so much on the physical anguish of the saint as on his mystical experience. The unusual X-shaped composition pulls the viewer into the scene to share the profound emotion that passes in the moment when Bartholomew confronts his executioner with eyes lifted to God. Attention is drawn also to the sharpening of the knife; the position of the blade and whetstone forms a cross — involving us not only in Bartholomew’s martyrdom but also in Christ’s sacrifice and crucifixion.

Ribera’s thick, rich paints communicate a real physical presence. He uses the coarse bristles of his brush to texture the paint and give it tactile dimension. White hairs in the saint’s beard are created by silvery filaments of paint. Around his eye, the pigments wrinkle like old skin.

Before settling in Naples, Ribera had spent some time in Rome studying the works of Caravaggio. Evident in this picture is the influence of Caravaggio’s dramatic lighting, deep shadows, and unremitting realism, but the intensity of Ribera’s religious fervor and his skillful handling of paint are his own.

Short logic: Groupon IPO: Pass on this deal

shortlogic:

Groupon has filed its S-1 and hopes to raise $750M in its initial public offering. Given they’re currently losing a staggering $117M per quarter, despite revenues of $644M, they’ll be burning through that cash almost as soon as it hits their account.

At the moment, it’s costing them $1.43 to…

(Source: shortlogic)

laphamsquarterly:

Happy Friday, everyone. 
Now let’s make some burgers this weekend, Dean Martin-style. 
(via Letters of Note, who is really ruling the food department lately)

laphamsquarterly:

Happy Friday, everyone.

Now let’s make some burgers this weekend, Dean Martin-style. 

(via Letters of Note, who is really ruling the food department lately)